The Messiah, by George Frideric Handel, is one of the most familiar pieces in choral literature, beloved by audiences worldwide and considered standard fare during the Christmas season. Piano arrangements of several of the familiar choruses and arias are presented in this collection, for use as solos or sets. They are appropriate for concerts as well as worship services. Approximate performance times are included to assist in planning. Titles:...
Zadok the Priest, the first of G. F. Handel's four Coronation Anthems, has been a cherished part of British coronation services from George II in 1727 to the current sovereign, Charles III. It is a magnificently resplendent work that embodies the essence of British pride and spirit. This terrific arrangement for string orchestra and piano by Douglas E. Wagner encapsulates the majesty of the original. This arrangement is also part of a larger f...
Zadok the Priest, the first of G. F. Handel's four Coronation Anthems, has been a cherished part of British coronation services from George II in 1727 to the current sovereign, Charles III. It is a magnificently resplendent work that embodies the essence of British pride and spirit. This terrific arrangement for string orchestra and piano by Douglas E. Wagner encapsulates the majesty of the original. This arrangement is also part of a larger f...
This joyful arrangement pairs George Frideric Handel's Hornpipe and Bourrée (from Water Music Suite No. 2) in the form of a minuet and trio. In the original key of F major, Deborah Baker Monday has taken great care to ensure all parts are engaging while staying remarkably true to Handel's original intent. Comfortably playable by developing musicians and a delightful arrangement for concert or festival. (3:00)
This joyful arrangement pairs George Frideric Handel's Hornpipe and Bourrée (from Water Music Suite No. 2) in the form of a minuet and trio. In the original key of F major, Deborah Baker Monday has taken great care to ensure all parts are engaging while staying remarkably true to Handel's original intent. Comfortably playable by developing musicians and a delightful arrangement for concert or festival. (3:00)
The pieces in the series presented in this volume, are selected from the second and third parts of Handel's colected pianoforte-works, published for the German handel Society by Breitkopf and Härtel, of Leipzig, in 1859.
Expertly arranged Choral for SATB with SSATBB Soli by George Frideric Handel from the Kalmus Edition series. This Secular Choral is from the Baroque era.
The oratorio of Susanna was composed between July 11th and August 24th 1748, when Handel was 64, and was performed in London, at Covent Garden Thatre, in the Lent following. SATB with SSSATBB Soli
The allegorical play The Triumph of Time and Truth is based upon a work which Handel composed at Rome about 1708, to Italian words by Cardinal Panfili. In the year 1737 he brought it before the London public, still in its Italian dress, but considerably transformed and enlarged. SATB or SSATB with SSATB Soli
The Oratorio of Hercules was composed in about four weeks, in the months of July and August, 1744. The date of the commencement of the work probably fell within the latter half of July. The first performance, directed by Handel himself, was given January 3rd, 1745. SATB with SSATBB Soli
A sure winner with your violin section, this festive arrangement makes use of staccato bowing and eigth-note passage work. The divisi cello part calls for extensions in the lower part. This title is available in MakeMusic Cloud.
